https://www.instagram.com/p/B5UdQjRHVtt/?igshid=1vx0186h9flzl Bit more info here, and some interesting goss in the comments about it not being filmed, for those who like that sort of thing
What an amazing looking climb! And pretty mental how hard it is - as per the R&I link 5.14b (8c) with the gear pre placed or 5.14c (8c+) placing it? That makes it harder than her hardest sport routes, and she says in the post that teestub linked that the lower crux is the hardest boulder problem shes done too!
Incredibly impressive. Quote from: teestub on November 26, 2019, 09:06:23 amhttps://www.instagram.com/p/B5UdQjRHVtt/?igshid=1vx0186h9flzl Bit more info here, and some interesting goss in the comments about it not being filmed, for those who like that sort of thing HF: "reelrock were going to film but they didn't believe I could do it" Austin Saidak (who has worked for ReelRock) says much the same thing, with a slightly different wording. This is a business decision: how much time and money do you commit to a project that might not yield any reward? A relatively small company can't back many losers. Unfortunately this is reflected in recent ReelRock output: outcomes are totally predictable from conception and the uncertainty faked in the editing is completely formulaic. See also: Rab dropping Emma Twyford shortly before her run of trail-blazing ascents.
self facilitating media nodes
Is a risk filming limit climbing projects. Very high degree of uncertainty obviously so can see how it might not fit into releasing 6 films a year model.
Tomoa Narasaki flashes 8B+ strikes me as significanthttps://www.instagram.com/p/B5iNrfEhFE2/
Quote from: Muenchener on December 02, 2019, 11:30:16 amTomoa Narasaki flashes 8B+ strikes me as significanthttps://www.instagram.com/p/B5iNrfEhFE2/Didnt seem to struggle too much!