I'm of the thinking that a camcorder should record the images without distortion, whether that is digitally or on reels. Any emotion should be obtained from what you're filming, not by how the media captures the images.
Super 8 cameras are the cameras your parents are likely to have knocking around in the attic. They use 8 mm film and give very much a surreal, blurry, dimly contrasted picture. They tend to get used mostly by die-hard fans nowadays, but in the 60s and 70s were common as pie. You'll notice a lot of skate/surf/snow films are shot either entirely or in parts in Super 8. It lends itself very well to such mediums and really ought to be used in climbing! I can't think back, but parts of the Real Thing may have been shot in it.You can have Super 8 film transferred to DVD by some companies so that you can then digitally edit your content, but you'll have to shop around for prices on this. Most of all, Super 8 film is expensive. I have been quoted prices in the past ranging from 8 pounds to 26 pounds for 4 and a half minutes of film. Sadly, you can no longer buy Super 8 sound film, other than from second hand traders.Despite the complexities, get into it. It's such a beautiful art and one which renders an actual sense of emotion back to film in the over-digitised era. I've certainly never looked back.
I'd love to see the footage you have Dave.
Not sure about this super 8 stuff either, the effects you can get on most editing programs will replicate that easily and you can have sharp pictures as well
This is small snippet that was crudely captured http://www.maths.tcd.ie/~moroneyk/dave/loughbray.asf